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2024

The Future of Documentation
Invisible to the Sighted, Barrier to the Blind
It's All About the People

2023

Designing and Building Responsive Web Applications
Ice cream, Binaries, and Maybes
Piecing the Past Together With LOD
Development in Steps: Learning to Collaborate on a Technical Project
Marvels of API Communication: The Diffbot NLP Vetting Tool
Researching and Designing for Actionability
Stand-ups for Software Development
Writing in Circles: From Beginner to Expert and Back Again

2022

The Design Deep Dive
Expression and Suppression: Orlando, Stories, and Censorship
Jessica and Goliath: Learning 3M and CIDOC CRM
Reconciliation, Richard of Cornwall, and Using Historical Sources
The Ship of Theseus: Representing Nuance in Humanities Data
The “Good Enough” Metadata Specialist
Speaking in Different Languages: Working Across Groups and Disciplines
Two Roads Diverged in a Tube Map, and I Took the One Less Followed

2021

Digging into DH: Broadening my Academic Interests and Comfort Zone
User-Centric Problem Solving
Diving into Large-Scale Projects as a Complete Novice
Invisible Design
What Is Extract Transform Load?
Searching for Harmony: Questions in Ontologies for Music Data
Connections are Important! Linked Open Data and Oral History
Creating Opportunities: Working Remotely with Canadian Art Collections
Breaking Down Barriers to Data Conversion
Design Frolics and Demystifying User Interface Design
The Shifting Landscape of Geospatial Ontologies

2020

Collaboration in Times of Social Isolation
Kubernetes Storage on Compute Canada: A Case for Longhorn
Open-Source Triplestore Battle
Balancing Your Brain: STEM vs Arts in Digital Humanities
Why LINCS?

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While members of LINCS gather together on-line from all across North America and beyond, our servers, which are also on Indigenous territories, produce the worlds we create and meet in. In particular we want to acknowledge that our servers are situated on the traditional lands of the WSÁNEĆ (Saanich), Lkwungen (Songhees), and Wyomilth (Esquimalt) peoples.

This work is licensed under a Creative Commons Attribution 4.0 International License.